Le Festival International des Ecoles de Cin\u00e9ma de T\u00e9touan (FIDEC) tient sa \u00a0cinqui\u00e8me \u00e9dition du 25 au 30 novembre 2019.<\/p>\n
Organis\u00e9 par la Facult\u00e9 des Lettres et des Sciences Humaines de T\u00e9touan (Universit\u00e9 Abdelmalek Essaadi) et l\u2019Association Bidayyat ARTCINE<\/em> (compos\u00e9e d\u2019universitaires, de professionnels du cin\u00e9ma, de laur\u00e9ats du Master Sp\u00e9cialis\u00e9 en Cin\u00e9ma Documentaire et de doctorants en Arts et Etudes Cin\u00e9matographiques, Audiovisuelles et Sc\u00e9niques<\/em>), le FIDEC \u00a0<\/strong>a pour objectif de promouvoir les \u0153uvres des jeunes cr\u00e9ateurs qu\u2019ils soient issus d\u2019\u00e9coles de cin\u00e9ma, d\u2019universit\u00e9s ou d\u2019instituts de formation aux m\u00e9tiers de l\u2019image et aussi de servir comme plate-forme de rencontres, d\u2019\u00e9changes aux jeunes venus des quatre coins du monde et appartenant \u00e0 diff\u00e9rentes cultures.<\/p>\n Selon son communiqu\u00e9 de presse, sur les 3200 films soumis, 75 films ont \u00e9t\u00e9 retenus en comp\u00e9tition internationale par le comit\u00e9 de s\u00e9lection. Un cru exceptionnel, un nombre impressionnant d\u2019\u00e9coles et de pays participants \u00e0 cette \u00e9dition, beaucoup pour la premi\u00e8re fois. Les chiffres expriment et attestent de cette exceptionnelle s\u00e9lection: 75 films s\u00e9lectionn\u00e9s, 33 pays repr\u00e9sent\u00e9s et 63 \u00e9coles de cin\u00e9ma.<\/p>\n 39 films de fiction, 21 documentaires et 15 films d\u2019animation composent cette belle s\u00e9lection de films d\u2019\u00e9coles. De nombreux films s\u00e9lectionn\u00e9s sont \u00ab\u00a0porteurs de valeurs humaines et universelles comme la tol\u00e9rance, le respect, la solidarit\u00e9, la justice, la fraternit\u00e9 et l\u2019amour,\u00a0\u00bb soulignent les organisateurs. Une large vari\u00e9t\u00e9 de sujets est trait\u00e9e dans divers champs th\u00e9matiques: l\u2019identit\u00e9, la migration, la jeunesse, les crises de l\u2019adolescence, l\u2019enfance, la solitude, le cin\u00e9ma, la vieillesse, l\u2019adversit\u00e9, etc. Des th\u00e9matiques bien souvent ancr\u00e9es dans des r\u00e9alit\u00e9s locales et nationales certes, mais interpellent l\u2019universel en nous. Ces films r\u00e9v\u00e8lent en fin de compte l\u2019humain dans tous ses \u00e9tats.<\/p>\n De nouvelles cin\u00e9matographies et de nouveaux talents \u00e0 d\u00e9couvrir lors de l\u2019\u00e9dition de cette ann\u00e9e au FIDEC du 25 au 30 novembre \u00e0 la salle historique \u2018\u2019Teatro Espagnol\u2019\u2019 \u00e0 T\u00e9touan.<\/p>\n Le GRECA (Groupe de Recherche et des Etudes Cin\u00e9matographiques et Audiovisuelles), affili\u00e9 \u00e0 la Facult\u00e9 des Lettres et des Sciences Humaines de T\u00e9touan et dont la cr\u00e9ation date de 1987, est un pionnier dans le domaine de la recherche en cin\u00e9ma au Maroc. Et ce gr\u00e2ce aux efforts louables du Professeur Hamid A\u00efdouni, Directeur du Festival et Pr\u00e9sident de l\u2019Association Bidayyat, \u00e0 qui revient le m\u00e9rite d\u2019int\u00e9grer la recherche, la formation et la cr\u00e9ation cin\u00e9matographique au sein de la Facult\u00e9 des Lettres et des Sciences Humaines de T\u00e9touan apr\u00e8s de longues ann\u00e9es d\u2019exp\u00e9rience, avec peu de moyens mais beaucoup de volont\u00e9, d\u2019ambition et de d\u00e9vouement.<\/em><\/p>\n Le FIDEC s\u2019affirme comme une r\u00e9f\u00e9rence dans le monde arabe et africain et se positionne dor\u00e9navant gr\u00e2ce \u00e0 la rigueur de sa s\u00e9lection et la qualit\u00e9 de son organisation, en seulement cinq ans d\u2019existence, comme un rendez-vous incontournable \u00e0 l\u2019\u00e9chelle internationale.<\/em><\/p>\n \u00a0<\/em><\/p>\n S\u00e9lection officielle FIDEC 2019<\/strong><\/p>\n 9\/8 DOGMAK | Halid \u0130lhan | Documentaire | Ya\u015far University | Turquie | 18\u2019 | 2018<\/p>\n ADJOURNMENT | Nina Marissiaux | Documentaire | HELB | Belgique | 24\u2019 | 2018<\/p>\n AIRSHIP OF UNKNOWN DIRECTION | Alexandra Galitskova | Animation | VGIK Moscou | Russie | 5\u2019| 2019<\/p>\n AISHA | Piotr \u0141ukasiak | Fiction | Warsaw Film School | Pologne | 16\u2019 | 2019<\/p>\n AMAL | Raoul \u00ab\u00a0Kabrit\u00a0\u00bb Mallat | Animation | Ecole Emile Cohl | France | 6\u2019 | 2019<\/p>\n ASIYA | Dinara Abdrashitova| Fiction | Academy N.S Mikhalkov | Russie | 15\u2019 | 2018<\/p>\n BIOTOPE | Paul Scholten | Documentaire | HFF Munich | Allemagne | 10\u2019 | 2018<\/p>\n BLACK LEAD | A. Valter, R. Delmond, F. Lambert, L. Talfer, N. Six, T. Emsellem |Animation| Supinfocom Rubika | France |6\u2019 | 2019<\/p>\n BREATHE ! | Matthias Kreter, Max Breuer | Fiction | FABW | Allemagne | 9\u2019 | 2018<\/p>\n BRUISED | Rok won Hwang, Samantha Tu| Animation | Ringling College of Art and Design | Etats-Unis| 3\u2019 | 2018<\/p>\n CASTING | Klaudia Keska | Documentaire | WRITV | Pologne | 18\u2019| 2018<\/p>\n CIRQUE | Bob Colaers | Fiction | LUCA | Belgique | 16\u2019 | 2019<\/p>\n CLEATS | Abdullah \u015eahin | Fiction | Istanbul \u015eehir University | Turquie | 10\u2019 | 2019<\/p>\n COMMENTS | Jannis Alexander Kiefer| Documentaire| Film University Babelsberg KONRAD WOLF | Allemagne |5\u2019| 2018<\/p>\n CROSS | Konstantinos Stathis | Exp\u00e9rimental | AUTH | Gr\u00e8ce | 23\u2019 | 2019<\/p>\n DANSE MACABRE | Zs\u00f3fia Cs\u00e1nki | Animation| METU | Hongrie | 6\u2019 | 2018<\/p>\n EPILOGUE | Yosra Sanhaji | Fiction | ISAMM | Tunisie | 14\u2019 | 2019<\/p>\n EQUALLY RED AND BLUE | Georgiana Moldoveanu | Fiction | UNATC | Roumanie | 21\u2019 | 2018<\/p>\n FANNY | Alia Benhida | Fiction | ECIB | Espagne | 8\u2019 | 2019<\/p>\n FAR FAINT LIGHTS | Paolo Aguilar Boschetti| Documentaire | ECAM | Espagne | 21\u2019 | 2018<\/p>\n FISH FOR LIFE | Kerstin Bl\u00e4tterbinder, Lisa Gierlinger, Lukas Math\u00e4, Victoria Wolfersberger | Animation | FHOO| Autriche | 8\u2019 | 2019<\/p>\n FROZEN TO DEATH, SOAKED TO THE SKIN | Elena Tara| Fiction | ECAM | Espagne | 15\u2019 | 2018<\/p>\n GLAZE | Clara Jost | Exp\u00e9rimental | ESTC| Portugal | 14\u2019 | 2018<\/p>\n GULF | Walter Mzengi | Exp\u00e9rimental | AFDA| Tanzanie | 10\u2019 | 2019<\/p>\n HER NAME WAS | Helena Dalemans | Fiction| LUCA| Belgique | 18\u2019 | 2018<\/p>\n HERO | Ond\u0159ej Burda| Fiction | FAMO| R\u00e9publique tch\u00e8que | 15\u2019 | 2019<\/p>\n HIM AND I | Ibrahim Handal | Fiction | Dar al-Kalima University | Palestine | 14\u2019 | 2018<\/p>\n INANIMATE | Lucia Bulgheroni | Animation | NFTS | Royaume-Uni | 9\u2019 | 2018<\/p>\n JOURS DE F\u00caTE | Hamza Oujamma| ESAV Marrakech | Fiction | Maroc | 8\u2019 | 2018<\/p>\n LOOKING FOR DENI | D\u00e9ni Pitsaev| Documentaire | LUCA | Belgique | 19\u2019 | 2018<\/p>\n MANO A MANO | Louise Courvoisier| Fiction | La Cin\u00e9fabrique | France | 22\u2019 | 2018<\/p>\n MTV IS MY FRIEND | Radu Popovici | Animation | UVT ARTE | Roumanie | 6\u2019 | 2018<\/p>\n MUSIC BOX | Veronika Pasterna Szemlova| Animation | TMK | R\u00e9publique tch\u00e8que | 13\u2019 | 2018<\/p>\n NEITHER SUNNY NOR CLOUDY | Anvar Nijem\u010devi\u0107 | Documentaire | SFA | Bosnie-Herz\u00e9govine | 11\u2019 | 2019<\/p>\n NEWS FROM BORUSSIA | Kasia Hertz| Exp\u00e9rimental | DFFB | Allemagne | 16\u2019 | 2019<\/p>\n NOT FOR REAL | Mona Maire| Documentaire | MMCD Marseille | France | 30\u2019 | 2019<\/p>\n NOTICE ME | Catherine Shelley| Documentaire | BFI | Royaume-Uni | 6\u2019 | 2019<\/p>\n PATCHWORK | Maria Manero Muro| Animation | UPV | Espagne | 8\u2019 | 2018<\/p>\n PLAY | Piotr Sulkowski| Fiction | Lodz | Pologne | 13\u2019 | 2018<\/p>\n PPOM PPAM | Hee-kyoung Shin, Seo-hyun Yeon| Animation | Korea Animation High School | Cor\u00e9e | 8\u2019 | 2019<\/p>\n REFLECTION | Chelsea Keene| Animation | CSULB | Etats-Unis | 4\u2019 | 2019<\/p>\n REMEMBER ME | Mohamed Rida Gueznai | Documentaire | MSCD T\u00e9touan| Maroc | 20\u2019 | 2019<\/p>\n RITA | Loubna Briac | Documentaire | MSCD T\u00e9touan| Maroc | 26\u2019 | 2019<\/p>\n RUN | Egor Isaev| Fiction | Moscow Film School | Russie | 23\u2019 | 2019<\/p>\n SHE WHO WASN’T TAMED | Saleh Kashefi| Fiction | IYCS | Iran | 15\u2019 | 2019<\/p>\n STARVATION | Zahra Rostampour | Animation | Tehran University of Art| Iran | 7\u2019 | 2018<\/p>\n STRINGS | Paula Zambrano | Fiction | ULA M\u00e9rida | Venezuela | 12\u2019 | 2018<\/p>\n TEA | Shokir Kholikov| Fiction | UzSIAC | Ouzb\u00e9kistan | 15\u2019 | 2018<\/p>\n THARBAT\u2019N\u2019WADOO | Latefa Ahrrare | Documentaire | MSCD T\u00e9touan| Maroc | 24\u2019 | 2018<\/p>\n THE BINOCULARS | Rahul Sharma | Fiction | LFS | Royaume-Uni | 16\u2019 | 2019<\/p>\n THE CULTURE | Ernst De Geer | Fiction | DNF| Norv\u00e8ge | 25\u2019 | 2018<\/p>\n THE FISHING CIRCLE | Daniela L\u00f3pez Moreno, Alfredo Marimon Carcamo| Documentaire | VGIK | Colombie | 20\u2019 | 2019<\/p>\n THE GIRLS WHO WEREN’T AFRAID | Frida Meza Coriche| CUEC |Documentaire | Mexico | 8\u2019 | 2018<\/p>\n THE LAST TROPHY | MARIO TURKHY FUNES | Documentaire | UNAL | Argentine | 22\u2019 | 2019<\/p>\n THE MOTIONS | Frank Donnangelo | Fiction | AFI Conservatory | Etats-Unis | 15\u2019 | 2018<\/p>\n THE SCHOOL BUS | Ramazan K\u0131l\u0131\u00e7 | Fiction | Istanbul \u015eehir University | Turquie 13\u2019 | 2019<\/p>\n THE SHEPHERD | Brwa Vahabpour | Fiction | DNF | Norv\u00e8ge | 17\u2019 | 2018<\/p>\n THE TRIP | Daniel Rih\u00e1k | Fiction | FTF V\u0160MU | Slovaquie | 18\u2019 | 2018<\/p>\n THE VOICES FROM INSIDE | Elina CHARED | Documentaire | MMCD Marseille | France | 25\u2019 | 2019<\/p>\n THE VOID BETWEEN THINGS | Andreas Pappas| Fiction | HCTSS | Gr\u00e8ce | 21\u2019 | 2019<\/p>\n THE WHITE PARALLELEPIPED | Oksana Stepantsova| Fiction | GITR | Russie | 16\u2019 | 2019<\/p>\n THINGS WE DON\u2019T TALK ABOUT| Dan Johan Filip Svensson| Fiction | DNF| Norv\u00e8ge | 18\u2019 | 2018<\/p>\n TO EACH YOUR SARAH | Deokgeun Kim| Fiction | K-ARTS | Cor\u00e9e | 25\u2019 | 2019<\/p>\n UBIZO | Natalia Bombala | Fiction | UKZN | Afrique du Sud | 16\u2019 | 2018<\/p>\n UNTIL THE EMERGENCE OF DAWN | Younes Benchakor | Fiction | MSCD T\u00e9touan | Maroc | 16\u2019 | 2018<\/p>\n VOLE | Cynthia Tannous| Fiction | UA | Liban | 8\u2019 | 2018<\/p>\n WEEPING WILLOW | Krystel El Koussa | Fiction | USEK | Liban | 16\u2019 | 2018<\/p>\n WHAT EVER HAPPENED TO DARWIN | L. ALTIERI, S. CRIPPA, G. MANNA, M. NOCERINO| Animation | CSC | Italie | 6\u2019 | 2019<\/p>\n WHITE COFFEE | Gloria Tauk | Fiction | UL | Liban | 13\u2019 | 2018<\/p>\n WIRED | Zeyu Ren| Animation | RISD| Etats-Unis | 4\u2019 | 2019<\/p>\n ZOUJ BGHAL | Houda Rahmani | Documentaire | MSCD T\u00e9touan| Maroc | 13\u2019 | 2018<\/p>\n <\/p>\n THE BUZZ | D\u00e1niel F\u00fczes | Fiction | METU | Hongrie | 34\u2019 | 2019THE CARP POND | Guomin Yang | Fiction |The Central Academy Of Drama| Chine | 26\u2019 | 2019<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Le Festival International des Ecoles de Cin\u00e9ma de T\u00e9touan (FIDEC) tient sa \u00a0cinqui\u00e8me \u00e9dition du 25 au 30 novembre 2019. Organis\u00e9 par la Facult\u00e9 des Lettres et des Sciences Humaines de T\u00e9touan (Universit\u00e9 Abdelmalek Essaadi) et l\u2019Association Bidayyat ARTCINE (compos\u00e9e d\u2019universitaires, de professionnels du cin\u00e9ma, de laur\u00e9ats du Master Sp\u00e9cialis\u00e9 en Cin\u00e9ma Documentaire et de […]<\/p>\n","protected":false},"author":7,"featured_media":1685,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,17,22],"tags":[365,421,992,993],"class_list":["post-1683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-cinema-festivals","category-cinema-cinenews","tag-tetouan","tag-festival-international-des-ecoles-de-cinema-de-tetouan","tag-fidec","tag-fidec2019"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/posts\/1683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/comments?post=1683"}],"version-history":[{"count":2,"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/posts\/1683\/revisions"}],"predecessor-version":[{"id":1686,"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/posts\/1683\/revisions\/1686"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/media\/1685"}],"wp:attachment":[{"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/media?parent=1683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/categories?post=1683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.maghrebarts.net\/fr\/wp-json\/wp\/v2\/tags?post=1683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}